4to.  144 pp.  Hardcover in dustjacket. The artist has inscribed "To Paul McMahon with good wishes on the occasion of our first meeting / Paul Cadmus / 23 July 1992" in black ink to the title page.  Slightest toning to extremities of jacket's edges, price clipped.  Fiine in a near fine dust jacket. 

An interesting work on the artist by Lincoln Kirstein, the American writer, impresario, art connoisseur, and cultural figure in New York City who, with George Balanchine, founded the New York City Ballet (first known as the "Ballet Society") in 1948. "Paul Cadmus is best known for his erotic depictions of nude male figures, charged with satire, social criticism, and a strongly idealized sexuality.  Cadmus first gained recognition for his 1934 painting The Fleet's In, where the controversy of a group of sailors he pictured carousing among prostitutes and homosexuals inspired a public outcry.  His work is informed by themes of Surrealism, compositions of the Renaissance, the Neoclassical works of Jean-Auguste-Dominique Ingres, and the sharp, figurative verisimilitude of Magical Realism; however, Cadmus's greatest influence was from fellow painter Jared French, with whom he studied and traveled extensively.  French instilled within Cadmus the traditions of the Old Masters (such as an egg tempera technique that became an integral part of his process) and, furthermore, a drive to transcend these methods and define his own artistic legacy." (Artfilms)

From the library of Paul McMahon, a critic, photographer and artist who worked for more than 13 years touring with Marlene Dietrich as the icon’s stage manager, announcer, dresser, secretary and escort, and later spent 25 years as an arts and entertainment reviewer and photographer with Gay Community News, Esplanade, Tommy’s Connection, The Mirror, Bay Windows and other publications.