Boulez, Pierre. (1925–2016). Le Soleil des Eaux. Deux poemes de René Char. Pour Soprano, choeur mixte et orchestre.. Partition D'Orchestre. Paris: Heugel & Cie. . 1970. Nouvelle Version. 8vo. study score, 6.75 x 9.75 inches. 55 pages. PN H. 31. 808. Excellent condition.
"[Le Soleil des Eaux], first given as a cantata in Paris in July 1950, grew out of some incidental music Boulez wrote for a radio production of Char's work of the same name, broadcast in April 1948. The music of the original version, reworked, became 'Complainte du lézard amoureux', and Boulez added to this a second movement, 'La sorgue'. The scoring of the cantata, both impressionistically delicate and violent, has a hallucinatory clarity which accords well with Boulez's surrealist intentions." (Grove Online)
"[Le Soleil des Eaux], first given as a cantata in Paris in July 1950, grew out of some incidental music Boulez wrote for a radio production of Char's work of the same name, broadcast in April 1948. The music of the original version, reworked, became 'Complainte du lézard amoureux', and Boulez added to this a second movement, 'La sorgue'. The scoring of the cantata, both impressionistically delicate and violent, has a hallucinatory clarity which accords well with Boulez's surrealist intentions." (Grove Online)
Boulez, Pierre. (1925–2016). Le Soleil des Eaux. Deux poemes de René Char. Pour Soprano, choeur mixte et orchestre.. Partition D'Orchestre. Paris: Heugel & Cie. . 1970. Nouvelle Version. 8vo. study score, 6.75 x 9.75 inches. 55 pages. PN H. 31. 808. Excellent condition.
"[Le Soleil des Eaux], first given as a cantata in Paris in July 1950, grew out of some incidental music Boulez wrote for a radio production of Char's work of the same name, broadcast in April 1948. The music of the original version, reworked, became 'Complainte du lézard amoureux', and Boulez added to this a second movement, 'La sorgue'. The scoring of the cantata, both impressionistically delicate and violent, has a hallucinatory clarity which accords well with Boulez's surrealist intentions." (Grove Online)
"[Le Soleil des Eaux], first given as a cantata in Paris in July 1950, grew out of some incidental music Boulez wrote for a radio production of Char's work of the same name, broadcast in April 1948. The music of the original version, reworked, became 'Complainte du lézard amoureux', and Boulez added to this a second movement, 'La sorgue'. The scoring of the cantata, both impressionistically delicate and violent, has a hallucinatory clarity which accords well with Boulez's surrealist intentions." (Grove Online)