Eisenman, Nicole. (b. 1965). Tiffany Crossing the Alborz, 2015.
2015, pencil signed, dated and numbered 1/50, with full margins, printed in collaboration with Marina Ancona, 10 Grand Press. Woodcut on Rives BFK.
image: 24 x 19 3/4 in. (61 x 50.2cm)
sheet: 30 x 22 in. (76.2 x 55.9cm)
image: 24 x 19 3/4 in. (61 x 50.2cm)
sheet: 30 x 22 in. (76.2 x 55.9cm)
"Tiffany came back from traveling in the mountains in Iran. I imagined her on a donkey in the Alborz. This print bears no relationship to reality."
One of the most important painters of her generation, Eisenman has developed a distinct figurative language that combines the imaginative with the lucid, the absurd with the banal, and the stereotypical with the countercultural and queer.
Eisenman, Nicole. (b. 1965). Tiffany Crossing the Alborz, 2015.
2015, pencil signed, dated and numbered 1/50, with full margins, printed in collaboration with Marina Ancona, 10 Grand Press. Woodcut on Rives BFK.
image: 24 x 19 3/4 in. (61 x 50.2cm)
sheet: 30 x 22 in. (76.2 x 55.9cm)
image: 24 x 19 3/4 in. (61 x 50.2cm)
sheet: 30 x 22 in. (76.2 x 55.9cm)
"Tiffany came back from traveling in the mountains in Iran. I imagined her on a donkey in the Alborz. This print bears no relationship to reality."
One of the most important painters of her generation, Eisenman has developed a distinct figurative language that combines the imaginative with the lucid, the absurd with the banal, and the stereotypical with the countercultural and queer.