![[Futurism][Marinetti, Filippo Tommaso. (1876 - 1944)] Casavola, Franco. (1891 - 1955) La Musica Futurista](http://www.schubertiademusic.com/cdn/shop/files/Musica_Futurista_Casavola_10692.jpg?v=1722187969)
[Futurism][Marinetti, Filippo Tommaso. (1876 - 1944)] Casavola, Franco. (1891 - 1955). La Musica Futurista. Rome: RIVISTA SINTETICA ILLUSTRATA. 11 December, 1924. First edition. La Musica Futurista (Manifesto Futurista) by Franco Casavola, together with Luciani / Casavola: Le sitesi visive della Musica; Casavola: Le atmosfere cromatiche della Musica; Casavola: Le versioni scenico = plastiche della Musica. 4 pages, very fine condition. 228 x 290 mm.
Between 1924 and 1927, Casavola published a series of original essays and manifestoes, dealing with new theories of music and its relationship with theatre and the visual arts. At the Futurist Congress, held shortly before the present publication, in Milan on 23 November 1924, the composer delivered a lecture entitled 'Visible Syntheses, Chromatic Atmospheres and Scenic-Plastic Versions of Music.'
Between 1924 and 1927, Casavola published a series of original essays and manifestoes, dealing with new theories of music and its relationship with theatre and the visual arts. At the Futurist Congress, held shortly before the present publication, in Milan on 23 November 1924, the composer delivered a lecture entitled 'Visible Syntheses, Chromatic Atmospheres and Scenic-Plastic Versions of Music.'
[Futurism][Marinetti, Filippo Tommaso. (1876 - 1944)] Casavola, Franco. (1891 - 1955). La Musica Futurista. Rome: RIVISTA SINTETICA ILLUSTRATA. 11 December, 1924. First edition. La Musica Futurista (Manifesto Futurista) by Franco Casavola, together with Luciani / Casavola: Le sitesi visive della Musica; Casavola: Le atmosfere cromatiche della Musica; Casavola: Le versioni scenico = plastiche della Musica. 4 pages, very fine condition. 228 x 290 mm.
Between 1924 and 1927, Casavola published a series of original essays and manifestoes, dealing with new theories of music and its relationship with theatre and the visual arts. At the Futurist Congress, held shortly before the present publication, in Milan on 23 November 1924, the composer delivered a lecture entitled 'Visible Syntheses, Chromatic Atmospheres and Scenic-Plastic Versions of Music.'
Between 1924 and 1927, Casavola published a series of original essays and manifestoes, dealing with new theories of music and its relationship with theatre and the visual arts. At the Futurist Congress, held shortly before the present publication, in Milan on 23 November 1924, the composer delivered a lecture entitled 'Visible Syntheses, Chromatic Atmospheres and Scenic-Plastic Versions of Music.'