All items guaranteed authentic without limit

Your cart

Your cart is empty

Beethoven, Ludwig van. (1770–1827). Sinfonia Eroica, Op. 55. Aggiustata per il pianoforte a quattro mani...da A. E. Muller. . Lipsia [Liepzig]: C.F. Peters. [1814]. Oblong folio. Engraved, [PN] 520. [2] 2-45 pp.  Light spotting throughout, especially to early and final pages, else fine. Titelauflage of the first edition of this arrangement of the great Symphony, Opus 55 for piano, 4 hands. Kinsky-Halm p. 130.

Symphony No. 3 in E-flat major, Opus 55 (Sinfonia Eroica) is a structurally rigorous composition which marked the beginning of Beethoven's creative middle-period. Beethoven originally dedicated the third symphony to Napoleon Bonaparte, who he believed embodied the democratic and anti-monarchical ideals of the French Revolution, but when he heard that Napoleon had declared himself emperor, Beethoven withdrew his dedication and re-dedicated the work to Prince Joseph Franz Maximilian Lobkowitz. The finale is a set of variations on a theme Beethoven had used in earlier works, notably Die Geschöpfe des Prometheus (1801) and the Eroica Variations.


Beethoven, Ludwig van. (1770–1827) Sinfonia Eroica, Op. 55. Aggiustata per il pianoforte a quattro mani...da A. E. Muller.

Regular price
Unit price
per 
Fast Shipping
Secure payment
Shipping calculated at checkout.

Have questions? Contact us

Secure payment

Beethoven, Ludwig van. (1770–1827). Sinfonia Eroica, Op. 55. Aggiustata per il pianoforte a quattro mani...da A. E. Muller. . Lipsia [Liepzig]: C.F. Peters. [1814]. Oblong folio. Engraved, [PN] 520. [2] 2-45 pp.  Light spotting throughout, especially to early and final pages, else fine. Titelauflage of the first edition of this arrangement of the great Symphony, Opus 55 for piano, 4 hands. Kinsky-Halm p. 130.

Symphony No. 3 in E-flat major, Opus 55 (Sinfonia Eroica) is a structurally rigorous composition which marked the beginning of Beethoven's creative middle-period. Beethoven originally dedicated the third symphony to Napoleon Bonaparte, who he believed embodied the democratic and anti-monarchical ideals of the French Revolution, but when he heard that Napoleon had declared himself emperor, Beethoven withdrew his dedication and re-dedicated the work to Prince Joseph Franz Maximilian Lobkowitz. The finale is a set of variations on a theme Beethoven had used in earlier works, notably Die Geschöpfe des Prometheus (1801) and the Eroica Variations.