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Fonteyn, Margot. (1919-1991) [Dominic, Zoë. (1920 - 2011). Signed Photograph. Signed original Zoë Dominic of London photograph of the English ballerina, signed "Margot Fonteyn" in puple ink.  Some Silvering around the edges, a few spots of foxing and signature on the light side, otherwise good condition.

The theatre and dance work of the British photographer Zoë Dominic began in the Royal Court Theatre around 1957. She became known for photographing the postwar British theatre revival, including actors Laurence Olivier, Joan Plowright and Maggie Smith and performers Maria Callas, Margot Fonteyn and Rudolf Nureyev. She was awarded an OBE in 2006 and the Royal Photographic Society's Hood medal in 1986.  John Selwyn Gilbert wrote of her: "I know of no other photographer who got closer to the real spirit of dancers and the dance than Zoë Dominic. She was a remarkable photographer and inspired great trust in the artists she took as subjects. If she caught a dancer in an unflattering pose or making a mistake, a drooping wrist, a lazy, half-pointed foot, she would not print the picture."

Fonteyn, Margot. (1919-1991) [Dominic, Zoë. (1920 - 2011) Signed Photograph

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Fonteyn, Margot. (1919-1991) [Dominic, Zoë. (1920 - 2011). Signed Photograph. Signed original Zoë Dominic of London photograph of the English ballerina, signed "Margot Fonteyn" in puple ink.  Some Silvering around the edges, a few spots of foxing and signature on the light side, otherwise good condition.

The theatre and dance work of the British photographer Zoë Dominic began in the Royal Court Theatre around 1957. She became known for photographing the postwar British theatre revival, including actors Laurence Olivier, Joan Plowright and Maggie Smith and performers Maria Callas, Margot Fonteyn and Rudolf Nureyev. She was awarded an OBE in 2006 and the Royal Photographic Society's Hood medal in 1986.  John Selwyn Gilbert wrote of her: "I know of no other photographer who got closer to the real spirit of dancers and the dance than Zoë Dominic. She was a remarkable photographer and inspired great trust in the artists she took as subjects. If she caught a dancer in an unflattering pose or making a mistake, a drooping wrist, a lazy, half-pointed foot, she would not print the picture."