Benois, Nicola. (1901–1988) [Wallmann, Margaret. (1904–1992)]. Interesting letter to Margaret Wallmann. Penned inside an oversize card illustrating a Benois stage design for "Visioni Romani," 25 X 18.5 cm. An interesting letter from one major ballet/opera stage designer to another. Benois sends holiday good wishes to his friend and wishes for the New Year "that your luminous talent will continue to triumph over all the mediocre imitators who try to compete with your genius art!" Signed with the diminutive, "Nicolino."
Benois first established his reputation as a brilliant stage designer working for Baliyev's Chauve-Souris company and in 1936 was appointed resident designer at La Scala, where he was responsible for over 300 productions during his 41 year tenure. A designer in the Romantic, painterly tradition of his father [Alexandre Benois]...he was a master of the unified stage picture and of the technical means needed to achieve it, advising on problems of staging until his death." (Grove Online)
Margarete Wallman was an important Austrian ballerina, choreographer, stage designer and director. From the age of 15, she was soloist at the Bavarian State Opera in Munich and had a major career until an injury in 1934. She then went on to found a ballet school in Berlin and then to direct and choreograph operas throughout the world, including many at the Salzburg Festival, the Teatro Colon of Buenos Aires, and most famously at La Scala. From 1952, she directed many operas there including special collaborations with Callas (L. Bernstein's 1953 "Medee," among others), and Birgit Nilsson (1958 Turandot).
Benois first established his reputation as a brilliant stage designer working for Baliyev's Chauve-Souris company and in 1936 was appointed resident designer at La Scala, where he was responsible for over 300 productions during his 41 year tenure. A designer in the Romantic, painterly tradition of his father [Alexandre Benois]...he was a master of the unified stage picture and of the technical means needed to achieve it, advising on problems of staging until his death." (Grove Online)
Margarete Wallman was an important Austrian ballerina, choreographer, stage designer and director. From the age of 15, she was soloist at the Bavarian State Opera in Munich and had a major career until an injury in 1934. She then went on to found a ballet school in Berlin and then to direct and choreograph operas throughout the world, including many at the Salzburg Festival, the Teatro Colon of Buenos Aires, and most famously at La Scala. From 1952, she directed many operas there including special collaborations with Callas (L. Bernstein's 1953 "Medee," among others), and Birgit Nilsson (1958 Turandot).
Benois, Nicola. (1901–1988) [Wallmann, Margaret. (1904–1992)]. Interesting letter to Margaret Wallmann. Penned inside an oversize card illustrating a Benois stage design for "Visioni Romani," 25 X 18.5 cm. An interesting letter from one major ballet/opera stage designer to another. Benois sends holiday good wishes to his friend and wishes for the New Year "that your luminous talent will continue to triumph over all the mediocre imitators who try to compete with your genius art!" Signed with the diminutive, "Nicolino."
Benois first established his reputation as a brilliant stage designer working for Baliyev's Chauve-Souris company and in 1936 was appointed resident designer at La Scala, where he was responsible for over 300 productions during his 41 year tenure. A designer in the Romantic, painterly tradition of his father [Alexandre Benois]...he was a master of the unified stage picture and of the technical means needed to achieve it, advising on problems of staging until his death." (Grove Online)
Margarete Wallman was an important Austrian ballerina, choreographer, stage designer and director. From the age of 15, she was soloist at the Bavarian State Opera in Munich and had a major career until an injury in 1934. She then went on to found a ballet school in Berlin and then to direct and choreograph operas throughout the world, including many at the Salzburg Festival, the Teatro Colon of Buenos Aires, and most famously at La Scala. From 1952, she directed many operas there including special collaborations with Callas (L. Bernstein's 1953 "Medee," among others), and Birgit Nilsson (1958 Turandot).
Benois first established his reputation as a brilliant stage designer working for Baliyev's Chauve-Souris company and in 1936 was appointed resident designer at La Scala, where he was responsible for over 300 productions during his 41 year tenure. A designer in the Romantic, painterly tradition of his father [Alexandre Benois]...he was a master of the unified stage picture and of the technical means needed to achieve it, advising on problems of staging until his death." (Grove Online)
Margarete Wallman was an important Austrian ballerina, choreographer, stage designer and director. From the age of 15, she was soloist at the Bavarian State Opera in Munich and had a major career until an injury in 1934. She then went on to found a ballet school in Berlin and then to direct and choreograph operas throughout the world, including many at the Salzburg Festival, the Teatro Colon of Buenos Aires, and most famously at La Scala. From 1952, she directed many operas there including special collaborations with Callas (L. Bernstein's 1953 "Medee," among others), and Birgit Nilsson (1958 Turandot).