Marchesi, Mathilde de Castrone. (1821-1913). The Art of Singing. A practical Method in 4 parts. OP. 21. Boston: Oliver Ditson & Co. . 1884. First American edition. For voice with piano acc. École Marchesi. Instructions and editorial matter in Italian and English. "Translations by Mme. E.M. de Angelis." Pt. 1. Elementary and graded exercises -- pt. 2. 30 vocalises for mezzo soprano -- pt. 3. 12 vocalises for 2 voices, contralto and mezzo soprano -- pt. 4. 6 melodies with words for mezzo soprano. 34 pp.
"She studied in Frankfurt, Vienna and in Paris with Garcia. A concert singer, she made a single stage appearance, as Rosina (Il barbiere), at Bremen in 1852, the year of her marriage. In 1854 she began to teach, in Vienna, Paris, Cologne and again Vienna. In 1881 she founded her own school of singing in Paris, where her pupils included Emma Calvé, Gabrielle Krauss, Nellie Melba, Sibyl Sanderson, Emma Eames, Katharina Klafsky, Selma Kurz, and her daughter, Blanche Marchesi. She retired in 1908. She published numerous sets of vocal exercises, mostly under the title L’art du chant, with various opus numbers, from the 1850s onwards, and an Ecole Marchesi: méthode de chant théorique et pratique (Paris, 1886; Eng. trans., 1896, 1903) as well as a book of memoirs." (Elizabeth Forbes, Grove Online)
"She studied in Frankfurt, Vienna and in Paris with Garcia. A concert singer, she made a single stage appearance, as Rosina (Il barbiere), at Bremen in 1852, the year of her marriage. In 1854 she began to teach, in Vienna, Paris, Cologne and again Vienna. In 1881 she founded her own school of singing in Paris, where her pupils included Emma Calvé, Gabrielle Krauss, Nellie Melba, Sibyl Sanderson, Emma Eames, Katharina Klafsky, Selma Kurz, and her daughter, Blanche Marchesi. She retired in 1908. She published numerous sets of vocal exercises, mostly under the title L’art du chant, with various opus numbers, from the 1850s onwards, and an Ecole Marchesi: méthode de chant théorique et pratique (Paris, 1886; Eng. trans., 1896, 1903) as well as a book of memoirs." (Elizabeth Forbes, Grove Online)
Marchesi, Mathilde de Castrone. (1821-1913). The Art of Singing. A practical Method in 4 parts. OP. 21. Boston: Oliver Ditson & Co. . 1884. First American edition. For voice with piano acc. École Marchesi. Instructions and editorial matter in Italian and English. "Translations by Mme. E.M. de Angelis." Pt. 1. Elementary and graded exercises -- pt. 2. 30 vocalises for mezzo soprano -- pt. 3. 12 vocalises for 2 voices, contralto and mezzo soprano -- pt. 4. 6 melodies with words for mezzo soprano. 34 pp.
"She studied in Frankfurt, Vienna and in Paris with Garcia. A concert singer, she made a single stage appearance, as Rosina (Il barbiere), at Bremen in 1852, the year of her marriage. In 1854 she began to teach, in Vienna, Paris, Cologne and again Vienna. In 1881 she founded her own school of singing in Paris, where her pupils included Emma Calvé, Gabrielle Krauss, Nellie Melba, Sibyl Sanderson, Emma Eames, Katharina Klafsky, Selma Kurz, and her daughter, Blanche Marchesi. She retired in 1908. She published numerous sets of vocal exercises, mostly under the title L’art du chant, with various opus numbers, from the 1850s onwards, and an Ecole Marchesi: méthode de chant théorique et pratique (Paris, 1886; Eng. trans., 1896, 1903) as well as a book of memoirs." (Elizabeth Forbes, Grove Online)
"She studied in Frankfurt, Vienna and in Paris with Garcia. A concert singer, she made a single stage appearance, as Rosina (Il barbiere), at Bremen in 1852, the year of her marriage. In 1854 she began to teach, in Vienna, Paris, Cologne and again Vienna. In 1881 she founded her own school of singing in Paris, where her pupils included Emma Calvé, Gabrielle Krauss, Nellie Melba, Sibyl Sanderson, Emma Eames, Katharina Klafsky, Selma Kurz, and her daughter, Blanche Marchesi. She retired in 1908. She published numerous sets of vocal exercises, mostly under the title L’art du chant, with various opus numbers, from the 1850s onwards, and an Ecole Marchesi: méthode de chant théorique et pratique (Paris, 1886; Eng. trans., 1896, 1903) as well as a book of memoirs." (Elizabeth Forbes, Grove Online)