Rare dual signed candid shot of the two English composers in formal attire, probably at a reception (Tippett holds a glass of wine), smiling at each other and chatting intimately. No date, but probably from the 1960s. Signed by both. Mounted to rigid backing. 7 x 5.75 inches (17.5 x 14.3 cm). In very good condition. From the collection of English orchestra manager John Charles.
"The two composers were good friends, with a high level of mutual respect and much in common – both were homosexual, for example, and both were convinced pacifists. Yet while Britten’s music since his death is performed around the world almost on a daily basis, performances of Tippett are much rarer. Even A Child of our Time, his most frequently performed work, is one of his earliest major pieces, and is perhaps unrepresentative of his mature style." (William Cole, "Britten and Tippett – Two Kinds of Englishman," Interlude (Hong Kong)), 2013)
Rare dual signed candid shot of the two English composers in formal attire, probably at a reception (Tippett holds a glass of wine), smiling at each other and chatting intimately. No date, but probably from the 1960s. Signed by both. Mounted to rigid backing. 7 x 5.75 inches (17.5 x 14.3 cm). In very good condition. From the collection of English orchestra manager John Charles.
"The two composers were good friends, with a high level of mutual respect and much in common – both were homosexual, for example, and both were convinced pacifists. Yet while Britten’s music since his death is performed around the world almost on a daily basis, performances of Tippett are much rarer. Even A Child of our Time, his most frequently performed work, is one of his earliest major pieces, and is perhaps unrepresentative of his mature style." (William Cole, "Britten and Tippett – Two Kinds of Englishman," Interlude (Hong Kong)), 2013)