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Fellini, Federico. (1920–1993) & Luna, Donyale. (1945–1979). "Fellini Satyricon" - Photograph on set.
Original photograph of the Italian director with the American model on the set of his 1969 film Fellini Satyricon.  Together with a press blurb reading "PHOTO SHOWS: Federico Fellini discussing a scene with American model, Donyale Luna, who in Satyricon portrays 'Oenothea', a sorceress whose magical powers give pulsating virility to impotent males. / Satyricon is a PEA Production to be released by United Artists.  Produced by Alberto Grimaldi, Satyricon is directed by Federico Fellini in Panavision and color at Cinecitta' Studios, Rome, and on location in Italy.  Heading the large cast are: Martin Potter and Hiram Keller."  In fine condition.  10 x 8 inches (25.4 x 20.3 cm.).

Fellini Satyricon, adapted from the work by Petronius, was an international arthouse success.  Roger Ebert wrote in 2001 that the film "is so much more ambitious and audacious than most of what we see today that simply as a reckless gesture, it shames these timid times."  

Fellini, Federico. (1920–1993) & Luna, Donyale. (1945–1979) "Fellini Satyricon" - Photograph on set

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Fellini, Federico. (1920–1993) & Luna, Donyale. (1945–1979). "Fellini Satyricon" - Photograph on set.
Original photograph of the Italian director with the American model on the set of his 1969 film Fellini Satyricon.  Together with a press blurb reading "PHOTO SHOWS: Federico Fellini discussing a scene with American model, Donyale Luna, who in Satyricon portrays 'Oenothea', a sorceress whose magical powers give pulsating virility to impotent males. / Satyricon is a PEA Production to be released by United Artists.  Produced by Alberto Grimaldi, Satyricon is directed by Federico Fellini in Panavision and color at Cinecitta' Studios, Rome, and on location in Italy.  Heading the large cast are: Martin Potter and Hiram Keller."  In fine condition.  10 x 8 inches (25.4 x 20.3 cm.).

Fellini Satyricon, adapted from the work by Petronius, was an international arthouse success.  Roger Ebert wrote in 2001 that the film "is so much more ambitious and audacious than most of what we see today that simply as a reckless gesture, it shames these timid times."