Callas, Maria. (1923–1977). Signed Photograph in "Un Ballo in Maschera". Vintage pearl-finish Piccagliani photo of Callas as she appeared in Un Ballo in Maschera at La Scala 1957, signed with her name alone in blue fountain pen across the image. In fine condition, moderate contrast to some of the signature and mounting remnants to verso. 3.75 x 5.5 inches; 9.4 x 13.7 cm.
Amelia is a role that should probably have figured more in Callas’s career. She sang excerpts as a student, almost got to sing it at La Scala under Toscanini, but actually didn’t tackle the whole role until the recording she made under Antonino Votto in 1956, and after singing it in a lavish new production at La Scala the following year, never sang it again, though she returned to Amelia’s two big solos in the studio in the mid to late 1960s.
Callas, Maria. (1923–1977). Signed Photograph in "Un Ballo in Maschera". Vintage pearl-finish Piccagliani photo of Callas as she appeared in Un Ballo in Maschera at La Scala 1957, signed with her name alone in blue fountain pen across the image. In fine condition, moderate contrast to some of the signature and mounting remnants to verso. 3.75 x 5.5 inches; 9.4 x 13.7 cm.
Amelia is a role that should probably have figured more in Callas’s career. She sang excerpts as a student, almost got to sing it at La Scala under Toscanini, but actually didn’t tackle the whole role until the recording she made under Antonino Votto in 1956, and after singing it in a lavish new production at La Scala the following year, never sang it again, though she returned to Amelia’s two big solos in the studio in the mid to late 1960s.