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[Twain, Mark. (1835–1910)] Holbrook, Hal. (b. 1925). "Mark Twain Tonight!" - Signed Program. Signed program from the American actor and writer's one-man show "Mark Twain Tonight," ca. 1960's. Holbrook has signed on the internal page spread. 4 pp. Light edge wear, overall fine. 5.75 x 8.25 inches (14.8 x 21 cm).

Mark Twain Tonight! is a one-man play devised by Hal Holbrook, in which he depicts Mark Twain giving a dramatic recitation selected from several of Twain's writings, with an emphasis on the comic ones. In an interview with William Goldman, Holbrook explained how he structured the show. "Who wants to see an evening about a literary figure? I knew that in the first act I had to overcome that natural reluctance, so my biggest desire was to make them laugh their asses off at the start, so they'd go out at intermission and say, 'Hey, this guy's funny.' The second act became the social-comment act. I'd start with some funny material to get them again (but not too much of it, or they'd never stop laughing and take the show right away from you). In the last act I gave them the Twain they'd been expecting all along: warm, whimsical, memories of childhood."

[Twain, Mark. (1835–1910)] Holbrook, Hal. (b. 1925) "Mark Twain Tonight!" - Signed Program

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[Twain, Mark. (1835–1910)] Holbrook, Hal. (b. 1925). "Mark Twain Tonight!" - Signed Program. Signed program from the American actor and writer's one-man show "Mark Twain Tonight," ca. 1960's. Holbrook has signed on the internal page spread. 4 pp. Light edge wear, overall fine. 5.75 x 8.25 inches (14.8 x 21 cm).

Mark Twain Tonight! is a one-man play devised by Hal Holbrook, in which he depicts Mark Twain giving a dramatic recitation selected from several of Twain's writings, with an emphasis on the comic ones. In an interview with William Goldman, Holbrook explained how he structured the show. "Who wants to see an evening about a literary figure? I knew that in the first act I had to overcome that natural reluctance, so my biggest desire was to make them laugh their asses off at the start, so they'd go out at intermission and say, 'Hey, this guy's funny.' The second act became the social-comment act. I'd start with some funny material to get them again (but not too much of it, or they'd never stop laughing and take the show right away from you). In the last act I gave them the Twain they'd been expecting all along: warm, whimsical, memories of childhood."