Dubuffet, Jean. (1901-1985). Tremolo sur l'Oeil - SIGNED PRESENTATION COPY to Henri-Pol Bouché. Veilhes: Gaston Puel. 1963. 8vo. (215 x 172 mm). [8 unnumbered leaves]. Lithograph text and illustration printed recto and verso throughout: text and illustration after Dubuffet's original manuscript, final verso with illustration only, achevé d'imprimer and justification to inner rear wrapper. Original publisher's printed wrappers with monochrome illustrations to front and rear covers, title to front cover. From the edition of 300 unnumbered copies. "Texte autographe de Jean Dubuffet calligraphié et illustré à l'encre de Chine, reporté photographiquement sur zinc, imprimé par Serge Lozingot sur les presses de l'auteur en lithographie, Paris, été 1963." [Webel II, 972 - 990, see pp. 60 - 63]. In fine condition with scattered light foxing.
This copy signed and inscribed to Henri-Pol Bouché, member of the so-called "Collège de Pataphysique," translator of the writings of Swiss Art Brut artist Adolf Wölfi: "pour la trémolation joyeuse de Henri-Pol Bouché / Jean Dubuffet," adding a small design beneath his signature.
A remarkable item from the influential French artist whose idealistic approach to aesthetics embraced so called "Art Brut" ("Raw Art" or "Low Art") and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making.
This copy signed and inscribed to Henri-Pol Bouché, member of the so-called "Collège de Pataphysique," translator of the writings of Swiss Art Brut artist Adolf Wölfi: "pour la trémolation joyeuse de Henri-Pol Bouché / Jean Dubuffet," adding a small design beneath his signature.
A remarkable item from the influential French artist whose idealistic approach to aesthetics embraced so called "Art Brut" ("Raw Art" or "Low Art") and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making.
Dubuffet, Jean. (1901-1985). Tremolo sur l'Oeil - SIGNED PRESENTATION COPY to Henri-Pol Bouché. Veilhes: Gaston Puel. 1963. 8vo. (215 x 172 mm). [8 unnumbered leaves]. Lithograph text and illustration printed recto and verso throughout: text and illustration after Dubuffet's original manuscript, final verso with illustration only, achevé d'imprimer and justification to inner rear wrapper. Original publisher's printed wrappers with monochrome illustrations to front and rear covers, title to front cover. From the edition of 300 unnumbered copies. "Texte autographe de Jean Dubuffet calligraphié et illustré à l'encre de Chine, reporté photographiquement sur zinc, imprimé par Serge Lozingot sur les presses de l'auteur en lithographie, Paris, été 1963." [Webel II, 972 - 990, see pp. 60 - 63]. In fine condition with scattered light foxing.
This copy signed and inscribed to Henri-Pol Bouché, member of the so-called "Collège de Pataphysique," translator of the writings of Swiss Art Brut artist Adolf Wölfi: "pour la trémolation joyeuse de Henri-Pol Bouché / Jean Dubuffet," adding a small design beneath his signature.
A remarkable item from the influential French artist whose idealistic approach to aesthetics embraced so called "Art Brut" ("Raw Art" or "Low Art") and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making.
This copy signed and inscribed to Henri-Pol Bouché, member of the so-called "Collège de Pataphysique," translator of the writings of Swiss Art Brut artist Adolf Wölfi: "pour la trémolation joyeuse de Henri-Pol Bouché / Jean Dubuffet," adding a small design beneath his signature.
A remarkable item from the influential French artist whose idealistic approach to aesthetics embraced so called "Art Brut" ("Raw Art" or "Low Art") and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making.