![[Olympics] Lawrence, Jacob. (1917–2000) 1972 Olympics Signed Program](http://www.schubertiademusic.com/cdn/shop/files/Lawrence_2C_Jacob_Olympic_Signed_Program_23338_b95914ad-242a-49e0-bd5c-2fc77bfd7958.png?v=1722190745)
[Olympics] Lawrence, Jacob. (1917–2000). Seattle: Seattle Art Museum. 1986.
Color two-page fold open pamphlet titled "Einladung," with print inside in German from the Olympic games in Munchen in 1972. Signed in black felt tip ink on the cover with a color reproduction of a painting by Jacob Lawrence, "To Jim Wiggins- Jacob Lawrence, Nov 5th 1973." In excellent condition. 6 x 8.5 inches (15 x 21.6 cm).
Though he came of age before the Civil Rights Movement brought African Americans the rights they had long been denied, Jacob Lawrence (American, 1917–2000) forged a prominent career as an artist, chronicling the story of black life in America through his paintings. Born in New Jersey and raised from the age of thirteen in Harlem, New York City, this Northeast native had southern roots. He was the child of migrants who moved, together with millions of other African Americans, from the impoverished rural South to urban, industrialized Midwestern and Northeastern cities during the mass relocation known as the Great Migration (1915–1950s). Lawrence maintained that he was “a child of the Great Migration,” which shaped the course of his own and his fellow African Americans’ lives. If the Great Migration provided him with geographical advantages, it was Harlem, then in the midst of the cultural and intellectual outpouring known as the Harlem Renaissance (1920s–1930s), that inspired him to make art. As he once described his beloved neighborhood: “All these people on the street, various colors, so much pattern, so much movement, so much color, so much vitality, so much energy.” The textures of Harlem, and the narrative dynamism of the songs, Bible stories, sermons, and tales of his neighbors’ journeys north that he witnessed in church, shaped Lawrence’s approach to art making.
[Olympics] Lawrence, Jacob. (1917–2000). Seattle: Seattle Art Museum. 1986.
Color two-page fold open pamphlet titled "Einladung," with print inside in German from the Olympic games in Munchen in 1972. Signed in black felt tip ink on the cover with a color reproduction of a painting by Jacob Lawrence, "To Jim Wiggins- Jacob Lawrence, Nov 5th 1973." In excellent condition. 6 x 8.5 inches (15 x 21.6 cm).
Though he came of age before the Civil Rights Movement brought African Americans the rights they had long been denied, Jacob Lawrence (American, 1917–2000) forged a prominent career as an artist, chronicling the story of black life in America through his paintings. Born in New Jersey and raised from the age of thirteen in Harlem, New York City, this Northeast native had southern roots. He was the child of migrants who moved, together with millions of other African Americans, from the impoverished rural South to urban, industrialized Midwestern and Northeastern cities during the mass relocation known as the Great Migration (1915–1950s). Lawrence maintained that he was “a child of the Great Migration,” which shaped the course of his own and his fellow African Americans’ lives. If the Great Migration provided him with geographical advantages, it was Harlem, then in the midst of the cultural and intellectual outpouring known as the Harlem Renaissance (1920s–1930s), that inspired him to make art. As he once described his beloved neighborhood: “All these people on the street, various colors, so much pattern, so much movement, so much color, so much vitality, so much energy.” The textures of Harlem, and the narrative dynamism of the songs, Bible stories, sermons, and tales of his neighbors’ journeys north that he witnessed in church, shaped Lawrence’s approach to art making.