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[Literature & Art] Nauman, Bruce. (b. 1941). "Footsteps" - Magnetic Tape. Footsteps. Magnetic tape around card containing sound loop. SMS No. 5 August 1968, Published by The Letter Edged in Black Press. 7-5/8 x 10-3/4 inches. From the editon of 2000.
Released in 1968, the SMS portfolio represented a collaboration between some of the most important artists of the 20th century. Centered around a loft on Manhattan's Upper West Side rented and maintained by the American Surrealist William Copley, SMS (a coy abbreviation for "Shit Must Stop") was an open-ended collective that epitomized the community ethos of the late 1960s. Each of the 6 volume portfolio issued by SMS included variety of works, including the present contribution from Nauman.
Released in 1968, the SMS portfolio represented a collaboration between some of the most important artists of the 20th century. Centered around a loft on Manhattan's Upper West Side rented and maintained by the American Surrealist William Copley, SMS (a coy abbreviation for "Shit Must Stop") was an open-ended collective that epitomized the community ethos of the late 1960s. Each of the 6 volume portfolio issued by SMS included variety of works, including the present contribution from Nauman.
[Literature & Art] Nauman, Bruce. (b. 1941). "Footsteps" - Magnetic Tape. Footsteps. Magnetic tape around card containing sound loop. SMS No. 5 August 1968, Published by The Letter Edged in Black Press. 7-5/8 x 10-3/4 inches. From the editon of 2000.
Released in 1968, the SMS portfolio represented a collaboration between some of the most important artists of the 20th century. Centered around a loft on Manhattan's Upper West Side rented and maintained by the American Surrealist William Copley, SMS (a coy abbreviation for "Shit Must Stop") was an open-ended collective that epitomized the community ethos of the late 1960s. Each of the 6 volume portfolio issued by SMS included variety of works, including the present contribution from Nauman.
Released in 1968, the SMS portfolio represented a collaboration between some of the most important artists of the 20th century. Centered around a loft on Manhattan's Upper West Side rented and maintained by the American Surrealist William Copley, SMS (a coy abbreviation for "Shit Must Stop") was an open-ended collective that epitomized the community ethos of the late 1960s. Each of the 6 volume portfolio issued by SMS included variety of works, including the present contribution from Nauman.