Wagner, Richard. (1813–1883). "To be, or not to be" - Autograph Quotation Signed.
AQS on a small slip, signed "Richard Wagner." Wagner pens the iconic line from William Shakespeare's Hamlet, "To be, or not to be." Affixed to a piece of scrapbook paper and in very good condition, with some creasing, soiling, and small areas of surface paper loss; overall in very good to fine condition. 4 x 2.25 inches (10 x 5.8 cm), mounted to 4.5 x 2.75 inches (11.3 x 7 cm).
Wagner had a lifelong affinity for the works of Shakespeare, beginning as a young man when, he recalled, he dreamt of meeting the Bard: "I dreamt that Shakespeare was alive, and that I met him and spoke to him, actually, in the flesh; the impression this dream left on me was indelible..." Wagner's first major work, Leubald (written in 1827–28 while he was at school), was a six-hour play whose plot is clearly directly inspired by Hamlet, Romeo and Juliet, Macbeth, King Lear, Henry IV Part One and Richard III; one of his first operas, Das Liebesverbot, was a lighter reworking of Measure for Measure. As many of his acquaintances recall, Wagner was also fond of reading the works of Shakespeare aloud, especially while in Bayreuth.
Wagner, Richard. (1813–1883). "To be, or not to be" - Autograph Quotation Signed.
AQS on a small slip, signed "Richard Wagner." Wagner pens the iconic line from William Shakespeare's Hamlet, "To be, or not to be." Affixed to a piece of scrapbook paper and in very good condition, with some creasing, soiling, and small areas of surface paper loss; overall in very good to fine condition. 4 x 2.25 inches (10 x 5.8 cm), mounted to 4.5 x 2.75 inches (11.3 x 7 cm).
Wagner had a lifelong affinity for the works of Shakespeare, beginning as a young man when, he recalled, he dreamt of meeting the Bard: "I dreamt that Shakespeare was alive, and that I met him and spoke to him, actually, in the flesh; the impression this dream left on me was indelible..." Wagner's first major work, Leubald (written in 1827–28 while he was at school), was a six-hour play whose plot is clearly directly inspired by Hamlet, Romeo and Juliet, Macbeth, King Lear, Henry IV Part One and Richard III; one of his first operas, Das Liebesverbot, was a lighter reworking of Measure for Measure. As many of his acquaintances recall, Wagner was also fond of reading the works of Shakespeare aloud, especially while in Bayreuth.