Stravinsky, Igor. (1882–1971). Le Sacre du Printemps. Réduction pour piano à quatre mains par l’auteur. . Berlin; Moscou; St. Pétersbourg: Édition Russe de Musique (Russischer Musikverlag G.M.B.H.). 1914. First edition. 1f., 89pp., folio, p.n.196. Disbound folio, edges lightly chipped, else clean and in a good state. CPM 54 p.444; Kirchmeyer: "Kommentiertes Verzeichnis Der Werke & Werkausgaben Igor Srawinskys bis 1971," pp.115-126. The first edition of the corrected version, published within a year of the first version. The full score was not published until 1922.
Le Sacre du Printemps was first performed by Diaghilev’s Ballet Russes at the Théâtre des Champs-Élysées, Paris on May 29, 1913. Nijinsky’s non-classical choreography caused a powerful uproar at the premiere, and it was reported that there was so much noise from the audience that the music could not actually be heard.
Le Sacre du Printemps was first performed by Diaghilev’s Ballet Russes at the Théâtre des Champs-Élysées, Paris on May 29, 1913. Nijinsky’s non-classical choreography caused a powerful uproar at the premiere, and it was reported that there was so much noise from the audience that the music could not actually be heard.
Stravinsky, Igor. (1882–1971). Le Sacre du Printemps. Réduction pour piano à quatre mains par l’auteur. . Berlin; Moscou; St. Pétersbourg: Édition Russe de Musique (Russischer Musikverlag G.M.B.H.). 1914. First edition. 1f., 89pp., folio, p.n.196. Disbound folio, edges lightly chipped, else clean and in a good state. CPM 54 p.444; Kirchmeyer: "Kommentiertes Verzeichnis Der Werke & Werkausgaben Igor Srawinskys bis 1971," pp.115-126. The first edition of the corrected version, published within a year of the first version. The full score was not published until 1922.
Le Sacre du Printemps was first performed by Diaghilev’s Ballet Russes at the Théâtre des Champs-Élysées, Paris on May 29, 1913. Nijinsky’s non-classical choreography caused a powerful uproar at the premiere, and it was reported that there was so much noise from the audience that the music could not actually be heard.
Le Sacre du Printemps was first performed by Diaghilev’s Ballet Russes at the Théâtre des Champs-Élysées, Paris on May 29, 1913. Nijinsky’s non-classical choreography caused a powerful uproar at the premiere, and it was reported that there was so much noise from the audience that the music could not actually be heard.