Milhaud, Darius. (1892–1974). Service Sacré pour le samedi matin, Op. 279. . Paris, New York: Salabert. 1950. First edition. Partition Chant et Orgue. 91 pp. [PN] 15270. Original decorative wrappers, printed in blue and red. Light toning, spine chipped at extremities, overall a very good copy.
Madame Madeleine Milhaud, the composer’s widow, called it "a work of love, it is the voice of a creature communicating with his God, and I hear that when I hear the Service Sacré." The present volume includes the settings for the Friday evening liturgy, which were composed after the work’s commission and premiere at Temple Emanu-El in San Francisco in 1947.
Madame Madeleine Milhaud, the composer’s widow, called it "a work of love, it is the voice of a creature communicating with his God, and I hear that when I hear the Service Sacré." The present volume includes the settings for the Friday evening liturgy, which were composed after the work’s commission and premiere at Temple Emanu-El in San Francisco in 1947.
Milhaud, Darius. (1892–1974). Service Sacré pour le samedi matin, Op. 279. . Paris, New York: Salabert. 1950. First edition. Partition Chant et Orgue. 91 pp. [PN] 15270. Original decorative wrappers, printed in blue and red. Light toning, spine chipped at extremities, overall a very good copy.
Madame Madeleine Milhaud, the composer’s widow, called it "a work of love, it is the voice of a creature communicating with his God, and I hear that when I hear the Service Sacré." The present volume includes the settings for the Friday evening liturgy, which were composed after the work’s commission and premiere at Temple Emanu-El in San Francisco in 1947.
Madame Madeleine Milhaud, the composer’s widow, called it "a work of love, it is the voice of a creature communicating with his God, and I hear that when I hear the Service Sacré." The present volume includes the settings for the Friday evening liturgy, which were composed after the work’s commission and premiere at Temple Emanu-El in San Francisco in 1947.