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Canteloube, Josephe. (1879-1957). Chants du Languedoc Harmonisés, SIGNED. . Paris: Heugel et Cie.. 1948. First edition. 24 pp. [PN] 31204. In original brown wrappers, boldly signed and inscribed by the composer on the verso of the title page. In excellent condition.

Canteloube is chiefly known for his Chants d'Auvergne, the traditional folk-songs he gathered over many years on his travels around his native region, and which he went on to harmonize and orchestrate. In fact he composed many other works, in a range of genres, from symphonic and chamber pieces to full-scale operas, as well as numerous additional anthologies of songs from around France, including the present "Chants du Languedoc." Of his harmonizations, he wrote: "Though the peasants sing without accompaniment, this is not reason enough to imitate their practice. When they sing, working in the fields, bringing in the harvest, their song is accompanied by something beyond the ken of those who wish to remain "scientific". It can only be heard by artists and poets, and, alas, not even by all of them. It comes from nature herself, from the earth, and peasant song cannot be separated from it…"

Canteloube, Josephe. (1879-1957) Chants du Languedoc Harmonisés, SIGNED.

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Canteloube, Josephe. (1879-1957). Chants du Languedoc Harmonisés, SIGNED. . Paris: Heugel et Cie.. 1948. First edition. 24 pp. [PN] 31204. In original brown wrappers, boldly signed and inscribed by the composer on the verso of the title page. In excellent condition.

Canteloube is chiefly known for his Chants d'Auvergne, the traditional folk-songs he gathered over many years on his travels around his native region, and which he went on to harmonize and orchestrate. In fact he composed many other works, in a range of genres, from symphonic and chamber pieces to full-scale operas, as well as numerous additional anthologies of songs from around France, including the present "Chants du Languedoc." Of his harmonizations, he wrote: "Though the peasants sing without accompaniment, this is not reason enough to imitate their practice. When they sing, working in the fields, bringing in the harvest, their song is accompanied by something beyond the ken of those who wish to remain "scientific". It can only be heard by artists and poets, and, alas, not even by all of them. It comes from nature herself, from the earth, and peasant song cannot be separated from it…"