Schumann, Robert. (1810–1856); Fantin-Latour, Henry. (1836–1904); Bazille, Frederic. (1841–1870); Maitre, Edmond. (1840–1898). Two First Editions bound with a Hand-signed Lithograph by Latour and with Highly Interesting Provenance. A fascinating volume including a signed work by Henri Fantin-Latour (1836 - 1904), and two Schumann first editions, signed by prominent members of Latour's circle. The first Schumann work is signed by both the musician, Edmond Maitre and the artist, Frederic Bazille (1841 - 1870). Bazille, who was killed in action in the Franco-Prussian War at the age of 29, had an atelier at 9, rue de la Condamine, a painting of which, 'Studio in the rue de la Condamine' (1870), can be seen at the Musee d'Orsay. The work depicts Edmond Maitre together with his fellow artists Renoir, Monet and Manet, as well as Emile Zola. Latour's famous "Un taller en las Batignolles" - also found at the Musee d'Orsay - depicts both Bazille and Maitre together with Manet, Scholderer, Renoir, Astruc, Zola and Monet.
Bound in the following order:
"A la mémoire de Robert Schumann." Lithograph on chine appliqué. 23 x 32.5 cm. A rich impression, signed "Fantin 73." in red crayon at bottom right. 2nd state, one of only 50 impressions before the erasure of the plate, with the imprint of the printer "Imp. Lemercier & Cie. Paris." Hédiard-Mason 5.
Das Paradies und die Peri. Dichtung aus Lalla Rookh von Th. Moore für Solostimmen, Chor und Orchester ... Op.50. Klavierauszug zu vier Händen ohne Worte.
Leipzig: Breitkopf & Härtel. [1852]. 149 pp. Engraved. [PN[ 8491. First edition of this arrangment. McCorkle p. 224; Hofmann p. 115. Signed on the title page by Frederic Bazille and Edmond Maitre, who has penned a brief performance history of the work in the upper margin of the following 2 pages.
Der Rose Pilgerfahrt. Mährchen nach einer Dichtung von Moritz Horn, Op.112. Im Arrangement für das Pianoforte zue vier Händen. Leipzig: Fr. Kistner. 85 pp. [1852]. Engraved. [PN] 2574. First edition of this arrangement. Signed on the title page by Maitre and dated "Paris - Fevrier - 1869."
Bound in the following order:
"A la mémoire de Robert Schumann." Lithograph on chine appliqué. 23 x 32.5 cm. A rich impression, signed "Fantin 73." in red crayon at bottom right. 2nd state, one of only 50 impressions before the erasure of the plate, with the imprint of the printer "Imp. Lemercier & Cie. Paris." Hédiard-Mason 5.
Das Paradies und die Peri. Dichtung aus Lalla Rookh von Th. Moore für Solostimmen, Chor und Orchester ... Op.50. Klavierauszug zu vier Händen ohne Worte.
Leipzig: Breitkopf & Härtel. [1852]. 149 pp. Engraved. [PN[ 8491. First edition of this arrangment. McCorkle p. 224; Hofmann p. 115. Signed on the title page by Frederic Bazille and Edmond Maitre, who has penned a brief performance history of the work in the upper margin of the following 2 pages.
Der Rose Pilgerfahrt. Mährchen nach einer Dichtung von Moritz Horn, Op.112. Im Arrangement für das Pianoforte zue vier Händen. Leipzig: Fr. Kistner. 85 pp. [1852]. Engraved. [PN] 2574. First edition of this arrangement. Signed on the title page by Maitre and dated "Paris - Fevrier - 1869."
Schumann, Robert. (1810–1856); Fantin-Latour, Henry. (1836–1904); Bazille, Frederic. (1841–1870); Maitre, Edmond. (1840–1898). Two First Editions bound with a Hand-signed Lithograph by Latour and with Highly Interesting Provenance. A fascinating volume including a signed work by Henri Fantin-Latour (1836 - 1904), and two Schumann first editions, signed by prominent members of Latour's circle. The first Schumann work is signed by both the musician, Edmond Maitre and the artist, Frederic Bazille (1841 - 1870). Bazille, who was killed in action in the Franco-Prussian War at the age of 29, had an atelier at 9, rue de la Condamine, a painting of which, 'Studio in the rue de la Condamine' (1870), can be seen at the Musee d'Orsay. The work depicts Edmond Maitre together with his fellow artists Renoir, Monet and Manet, as well as Emile Zola. Latour's famous "Un taller en las Batignolles" - also found at the Musee d'Orsay - depicts both Bazille and Maitre together with Manet, Scholderer, Renoir, Astruc, Zola and Monet.
Bound in the following order:
"A la mémoire de Robert Schumann." Lithograph on chine appliqué. 23 x 32.5 cm. A rich impression, signed "Fantin 73." in red crayon at bottom right. 2nd state, one of only 50 impressions before the erasure of the plate, with the imprint of the printer "Imp. Lemercier & Cie. Paris." Hédiard-Mason 5.
Das Paradies und die Peri. Dichtung aus Lalla Rookh von Th. Moore für Solostimmen, Chor und Orchester ... Op.50. Klavierauszug zu vier Händen ohne Worte.
Leipzig: Breitkopf & Härtel. [1852]. 149 pp. Engraved. [PN[ 8491. First edition of this arrangment. McCorkle p. 224; Hofmann p. 115. Signed on the title page by Frederic Bazille and Edmond Maitre, who has penned a brief performance history of the work in the upper margin of the following 2 pages.
Der Rose Pilgerfahrt. Mährchen nach einer Dichtung von Moritz Horn, Op.112. Im Arrangement für das Pianoforte zue vier Händen. Leipzig: Fr. Kistner. 85 pp. [1852]. Engraved. [PN] 2574. First edition of this arrangement. Signed on the title page by Maitre and dated "Paris - Fevrier - 1869."
Bound in the following order:
"A la mémoire de Robert Schumann." Lithograph on chine appliqué. 23 x 32.5 cm. A rich impression, signed "Fantin 73." in red crayon at bottom right. 2nd state, one of only 50 impressions before the erasure of the plate, with the imprint of the printer "Imp. Lemercier & Cie. Paris." Hédiard-Mason 5.
Das Paradies und die Peri. Dichtung aus Lalla Rookh von Th. Moore für Solostimmen, Chor und Orchester ... Op.50. Klavierauszug zu vier Händen ohne Worte.
Leipzig: Breitkopf & Härtel. [1852]. 149 pp. Engraved. [PN[ 8491. First edition of this arrangment. McCorkle p. 224; Hofmann p. 115. Signed on the title page by Frederic Bazille and Edmond Maitre, who has penned a brief performance history of the work in the upper margin of the following 2 pages.
Der Rose Pilgerfahrt. Mährchen nach einer Dichtung von Moritz Horn, Op.112. Im Arrangement für das Pianoforte zue vier Händen. Leipzig: Fr. Kistner. 85 pp. [1852]. Engraved. [PN] 2574. First edition of this arrangement. Signed on the title page by Maitre and dated "Paris - Fevrier - 1869."