All items guaranteed authentic without limit

Your cart

Your cart is empty

[Mozart, Wolfgang Amadeus. (1756–1791)] [CAECILIA] [Music Periodical]. Caecilia, eine Zeitschrift für die musicalische Welt, hrsg. von einem Vereine von Gelehrten, Kunstverständigen und Künstlern (4 volumes). Mainz, Paris, and Antwerp: B. Schott's Söhne. 1829, 1830, 1835, 1836.
Rare issues of this rare and important music periodical, with articles on a wide variety of topics—early music and scholarly editions of older music (Mozart's Don Giovanni in the 1836 volume), contemporary controversies (such as the revolution of violin playing by Paganini in the 1829 volume), contemporary music (a survey of French operas in the 1830 volume), musical traditions on the fringe of Western music (music in the synagogue and in the Russian Orthodox Church), philosophical contemplations, organology, acoustics and the physiology of the human ear and reviews of new works by Czerny, Reicha, Fétis (Bibliographie universelle), Spohr (Symphony no. 4, "Die Weihe der Töne"), Carl Maria von Weber, Auber (La muette de Portici), Carl Loewe, new editions of works by Handel, Nissen's biography of Mozart, etc. and including a number of fine portrait engravings and illustration plates as well as fascinating advertisements for recent musical publications, including of Beethoven's Ninth Symphony. The most important author of the articles is Gottfried Weber (1779–1839), editor-in-chief of the periodical from 1824 to 1839. 

Vols. 11 (1829), 12 (1830), 17 (1835) and 18 (1836) of this very important German-language periodical on music, which existed from 1824 to 1848.  8vo.  Disbound.  Each volume is paginated continuously and consists of four issues (some of which were actually published in the year after the one given on the title) plus the Intelligenzblätter, containing musical news, announcements and advertisements, which came as supplements with each issue and are paginated separately from the main body of the journal but again continuously for each volume and bound in at the end of the volume.  All volumes with general title and index (with roman numerals) and numerous engraved and lithographic plates (not paginated); engraved portraits as frontispieces (Mozart in vol. 11).  Stamped signature of "N. Blos" to all titles.  8 x 4.75 inches (20.6 x 12 cm).  Paper of good quality, somewhat foxed; a few minor tears and stains; vols. 17 and 18 damp stained; loose signatures, a few partial or full separations.

"Eilfter Band" (11th volume; issues 41–44) vi, 340 pp.; Intelligenzblatt 58 pp.
"Zwölfter Band" (12th volume; issues 45–48) viii, 314 pp. Intelligenzblatt 42 pp.
"Siebzehnter Band" (17th volume; issues 65–68) vi, 296 pp.; Intelligenzblatt 41 pp.
"Achtzehnter Band" (18th volume; issues 69–72) vi, 268 pp.; Intelligenzblatt 48 pp.

Interestingly, the publication is set in roman font throughout, not in Fraktur, except for some pages in the Intelligenzblätter, which also include short contributions in French.

[Mozart, Wolfgang Amadeus. (1756–1791)] [CAECILIA] [Music Periodical] Caecilia, eine Zeitschrift für die musicalische Welt, hrsg. von einem Vereine von Gelehrten, Kunstverständigen und Künstlern (4 volumes)

Regular price $1,200.00
Unit price
per 
Fast Shipping
Secure payment
Shipping calculated at checkout.

Have questions? Contact us

Secure payment

[Mozart, Wolfgang Amadeus. (1756–1791)] [CAECILIA] [Music Periodical]. Caecilia, eine Zeitschrift für die musicalische Welt, hrsg. von einem Vereine von Gelehrten, Kunstverständigen und Künstlern (4 volumes). Mainz, Paris, and Antwerp: B. Schott's Söhne. 1829, 1830, 1835, 1836.
Rare issues of this rare and important music periodical, with articles on a wide variety of topics—early music and scholarly editions of older music (Mozart's Don Giovanni in the 1836 volume), contemporary controversies (such as the revolution of violin playing by Paganini in the 1829 volume), contemporary music (a survey of French operas in the 1830 volume), musical traditions on the fringe of Western music (music in the synagogue and in the Russian Orthodox Church), philosophical contemplations, organology, acoustics and the physiology of the human ear and reviews of new works by Czerny, Reicha, Fétis (Bibliographie universelle), Spohr (Symphony no. 4, "Die Weihe der Töne"), Carl Maria von Weber, Auber (La muette de Portici), Carl Loewe, new editions of works by Handel, Nissen's biography of Mozart, etc. and including a number of fine portrait engravings and illustration plates as well as fascinating advertisements for recent musical publications, including of Beethoven's Ninth Symphony. The most important author of the articles is Gottfried Weber (1779–1839), editor-in-chief of the periodical from 1824 to 1839. 

Vols. 11 (1829), 12 (1830), 17 (1835) and 18 (1836) of this very important German-language periodical on music, which existed from 1824 to 1848.  8vo.  Disbound.  Each volume is paginated continuously and consists of four issues (some of which were actually published in the year after the one given on the title) plus the Intelligenzblätter, containing musical news, announcements and advertisements, which came as supplements with each issue and are paginated separately from the main body of the journal but again continuously for each volume and bound in at the end of the volume.  All volumes with general title and index (with roman numerals) and numerous engraved and lithographic plates (not paginated); engraved portraits as frontispieces (Mozart in vol. 11).  Stamped signature of "N. Blos" to all titles.  8 x 4.75 inches (20.6 x 12 cm).  Paper of good quality, somewhat foxed; a few minor tears and stains; vols. 17 and 18 damp stained; loose signatures, a few partial or full separations.

"Eilfter Band" (11th volume; issues 41–44) vi, 340 pp.; Intelligenzblatt 58 pp.
"Zwölfter Band" (12th volume; issues 45–48) viii, 314 pp. Intelligenzblatt 42 pp.
"Siebzehnter Band" (17th volume; issues 65–68) vi, 296 pp.; Intelligenzblatt 41 pp.
"Achtzehnter Band" (18th volume; issues 69–72) vi, 268 pp.; Intelligenzblatt 48 pp.

Interestingly, the publication is set in roman font throughout, not in Fraktur, except for some pages in the Intelligenzblätter, which also include short contributions in French.