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Auer, Leopold. (1845-1930). Autograph Letter and Photograph. A scarce ALS from the important violinist and influential pedagogue, teacher of Elman, Heifetz, Milstein, Zimbalist, Parlow, Schumsky and many others! 3 integral pages, pen doodles in same ink on fourth (otherwise black) conjoined sheet. In French, to the composer Alexander Sergeievich Taneyev (1850 - 1918), regarding the premiere of one of his works. Sold together with a fine original doubleweight 8X10 portrait by Mishkin.

Leopold Auer spent nearly fifty years in St. Petersburg and exerted a decisive influence on the Russian violin school, following Vieuxtemps and Wieniawski as solo violin at the Imperial Ballet. Arensky, Glazunov, Taneyev and Tchaikovsky wrote their most important violin compositions for him. As for Tschaikovsky’s violin concerto, Auer refused the dedication, declaring it technically awkward and too long! After a few revisions to the violin part, he eventually played this monumental violin work in 1893, shortly before the composer’s death.

Auer, Leopold. (1845-1930) Autograph Letter and Photograph

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Auer, Leopold. (1845-1930). Autograph Letter and Photograph. A scarce ALS from the important violinist and influential pedagogue, teacher of Elman, Heifetz, Milstein, Zimbalist, Parlow, Schumsky and many others! 3 integral pages, pen doodles in same ink on fourth (otherwise black) conjoined sheet. In French, to the composer Alexander Sergeievich Taneyev (1850 - 1918), regarding the premiere of one of his works. Sold together with a fine original doubleweight 8X10 portrait by Mishkin.

Leopold Auer spent nearly fifty years in St. Petersburg and exerted a decisive influence on the Russian violin school, following Vieuxtemps and Wieniawski as solo violin at the Imperial Ballet. Arensky, Glazunov, Taneyev and Tchaikovsky wrote their most important violin compositions for him. As for Tschaikovsky’s violin concerto, Auer refused the dedication, declaring it technically awkward and too long! After a few revisions to the violin part, he eventually played this monumental violin work in 1893, shortly before the composer’s death.