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Cortot, Alfred. (1877–1962) & Thibaud, Jacques. (1880–1953) & Casals, Pablo. (1876–1973). Trio Program Signed by All Three. A fine program from the series of the Société des amis des Arts (direction Paul Boquel), signed on the inside cover by all three trio members. The program cover features a fine portrait of the legendary musicians, who on this occasion performed works by Haydn, Schumann, Bach(s), and Franck. It is very unusual to find a program signed by all three of these great artists from this early in their long and storied careers.


"The friends formed their trio in 1905, soon after Casals moved to the Villa Molitor in the Auteuil district of Paris. At first they performed for fun — they enjoyed each other’s company and liked playing tennis together — but in 1906 they expanded to private soirées and in June 1907 they gave three concerts at the Salle des Agriculteurs in Paris. These appearances were so successful that they began to tour Europe as a trio. Their repertoire was small, just 33 works, and in essence amounted to the handful of pieces they recorded, plus Schumann’s Trio in G minor and the two of Beethoven’s Trios, Op. 70. Various other works were played a handful of times or even just once. Their three war-horses were Haydn’s Trio in G major (39 performances), Schubert’s Trio in B flat (49 performances) and Schumann’s Trio in D minor (37 performances). Emanuel Moór wrote a triple concerto and a trio for them. Their last joint performance was given on 27th March 1934 in the music room at Il Leccio in Fiesole, on the hillside above Florence, the home of their friends the Passigli family, who ran Amici della Musica. They played Haydn’s Trio in G major and Mendelssohn’s Trio in D minor. The trio later continued after a fashion, with Pierre Fournier taking the place of Casals, who was now too busy to find the time for a regular chamber music partnership, but in any case the Catalan broke with his two friends over their political stances during World War II, and although he made it up with Cortot, he and Thibaud were never reconciled." (Tully Potter)

Cortot, Alfred. (1877–1962) & Thibaud, Jacques. (1880–1953) & Casals, Pablo. (1876–1973) Trio Program Signed by All Three

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Cortot, Alfred. (1877–1962) & Thibaud, Jacques. (1880–1953) & Casals, Pablo. (1876–1973). Trio Program Signed by All Three. A fine program from the series of the Société des amis des Arts (direction Paul Boquel), signed on the inside cover by all three trio members. The program cover features a fine portrait of the legendary musicians, who on this occasion performed works by Haydn, Schumann, Bach(s), and Franck. It is very unusual to find a program signed by all three of these great artists from this early in their long and storied careers.


"The friends formed their trio in 1905, soon after Casals moved to the Villa Molitor in the Auteuil district of Paris. At first they performed for fun — they enjoyed each other’s company and liked playing tennis together — but in 1906 they expanded to private soirées and in June 1907 they gave three concerts at the Salle des Agriculteurs in Paris. These appearances were so successful that they began to tour Europe as a trio. Their repertoire was small, just 33 works, and in essence amounted to the handful of pieces they recorded, plus Schumann’s Trio in G minor and the two of Beethoven’s Trios, Op. 70. Various other works were played a handful of times or even just once. Their three war-horses were Haydn’s Trio in G major (39 performances), Schubert’s Trio in B flat (49 performances) and Schumann’s Trio in D minor (37 performances). Emanuel Moór wrote a triple concerto and a trio for them. Their last joint performance was given on 27th March 1934 in the music room at Il Leccio in Fiesole, on the hillside above Florence, the home of their friends the Passigli family, who ran Amici della Musica. They played Haydn’s Trio in G major and Mendelssohn’s Trio in D minor. The trio later continued after a fashion, with Pierre Fournier taking the place of Casals, who was now too busy to find the time for a regular chamber music partnership, but in any case the Catalan broke with his two friends over their political stances during World War II, and although he made it up with Cortot, he and Thibaud were never reconciled." (Tully Potter)