[Opera]. Group of Signed Program Pages.
Collection of signed programs and program pages from opera performances of the 1970's–1990's. Included are programs or program pages from: Verdi's I Due Foscari (October 20, 1981 with the Opera Orchestra of New York), signed by Carlo Bergonzi, Renato Bruson, Donnie Ray Albert, and Michael Crouse; a July 6, 1990 concert at Tanglewood, signed by Dawn Upshaw; Verdi's Un Ballo in Maschera (November 7, 1975 at the Metropolitan Opera), signed by Teresa Kubiak; Bellini's Beatrice di Tenda (October 27, 1988 at Carnegie Hall), signed by June Anderson; Verdi's Rigoletto (November 4, 1977 at the Metropolitan Opera), signed by Cornell MacNeill [?] and Ileana Cotrubas; Smetana's Libuše (March 13, 1986 with the Opera Orchestra of New York at Carnegie Hall), signed by Gabriela Beňačková-Čápová [?]; Samuel Barber's Antony and Cleopatra (at the Spoleto Festival of 1983), signed by Esther Hinds and Jeffrey Wells; Britten's The Turn of the Screw (April 30, 1978 at the New York City Opera) with an unidentified signature, possibly Eileen Schauler. Overall fine. 5.5 x 9 inches (14 x 22.5 cm).
[Opera]. Group of Signed Program Pages.
Collection of signed programs and program pages from opera performances of the 1970's–1990's. Included are programs or program pages from: Verdi's I Due Foscari (October 20, 1981 with the Opera Orchestra of New York), signed by Carlo Bergonzi, Renato Bruson, Donnie Ray Albert, and Michael Crouse; a July 6, 1990 concert at Tanglewood, signed by Dawn Upshaw; Verdi's Un Ballo in Maschera (November 7, 1975 at the Metropolitan Opera), signed by Teresa Kubiak; Bellini's Beatrice di Tenda (October 27, 1988 at Carnegie Hall), signed by June Anderson; Verdi's Rigoletto (November 4, 1977 at the Metropolitan Opera), signed by Cornell MacNeill [?] and Ileana Cotrubas; Smetana's Libuše (March 13, 1986 with the Opera Orchestra of New York at Carnegie Hall), signed by Gabriela Beňačková-Čápová [?]; Samuel Barber's Antony and Cleopatra (at the Spoleto Festival of 1983), signed by Esther Hinds and Jeffrey Wells; Britten's The Turn of the Screw (April 30, 1978 at the New York City Opera) with an unidentified signature, possibly Eileen Schauler. Overall fine. 5.5 x 9 inches (14 x 22.5 cm).