Gigli, Beniamino. (1890-1957). . Signed Photograph as Radames. A desirable signed doubleweight original Barzacchi photograph of the honey-voiced tenor as Radames in Verdi's Aida, boldly signed and dated 1929 in black fountain pen ink and in crisp, very fine condition. 4 x 5.75 inches.
In lyrical and romantic repertory, many regarded Gigli as the legitimate heir of Caruso. He made his professional debut as Enzo in La Gioconda at Rovigo in 1914 and his Rome Opera debut as Faust in Mefistofele in 1916. He later debuted at La Scala in 1918 and first appeared at the Met in 1920, singing every season there until 1932 when he returned to Europe
In lyrical and romantic repertory, many regarded Gigli as the legitimate heir of Caruso. He made his professional debut as Enzo in La Gioconda at Rovigo in 1914 and his Rome Opera debut as Faust in Mefistofele in 1916. He later debuted at La Scala in 1918 and first appeared at the Met in 1920, singing every season there until 1932 when he returned to Europe
Gigli, Beniamino. (1890-1957). . Signed Photograph as Radames. A desirable signed doubleweight original Barzacchi photograph of the honey-voiced tenor as Radames in Verdi's Aida, boldly signed and dated 1929 in black fountain pen ink and in crisp, very fine condition. 4 x 5.75 inches.
In lyrical and romantic repertory, many regarded Gigli as the legitimate heir of Caruso. He made his professional debut as Enzo in La Gioconda at Rovigo in 1914 and his Rome Opera debut as Faust in Mefistofele in 1916. He later debuted at La Scala in 1918 and first appeared at the Met in 1920, singing every season there until 1932 when he returned to Europe
In lyrical and romantic repertory, many regarded Gigli as the legitimate heir of Caruso. He made his professional debut as Enzo in La Gioconda at Rovigo in 1914 and his Rome Opera debut as Faust in Mefistofele in 1916. He later debuted at La Scala in 1918 and first appeared at the Met in 1920, singing every season there until 1932 when he returned to Europe