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Viotti, Giovanni Battista. (1755-1824). Concerto [no. 29 in E minor] pour le Violon. [Violin part only]. Paris: Paris: Benoit Ainé. [ca. 1860?]. Solo part of the composer's 29th and final violin concerto. Edition by L. Massart. Unbound upright folio. Engraved. 16 pp. [PN] A.C. 597. Scattered markings in pencil. Outer bifolium (with title) partly detached; some edges frayed, else in very good condition.
The plate number and the name of the editor indicate that Benoît Ainé took over this edition from A. Cotelle, also in Paris, who first published it around 1844. The present issue probably dates from about 1860.
Viotti, an Italian violinist and composer, "was the most influential violinist between Tartini and Paganini and the last great representative of the Italian tradition stemming from Corelli. He is considered the founder of the 'modern' (19th century) French school of violin playing, and his compositions, among the finest examples of Classical violin music, exerted a strong influence on 19th-century violin style." (Grove Online)
The plate number and the name of the editor indicate that Benoît Ainé took over this edition from A. Cotelle, also in Paris, who first published it around 1844. The present issue probably dates from about 1860.
Viotti, an Italian violinist and composer, "was the most influential violinist between Tartini and Paganini and the last great representative of the Italian tradition stemming from Corelli. He is considered the founder of the 'modern' (19th century) French school of violin playing, and his compositions, among the finest examples of Classical violin music, exerted a strong influence on 19th-century violin style." (Grove Online)
Viotti, Giovanni Battista. (1755-1824). Concerto [no. 29 in E minor] pour le Violon. [Violin part only]. Paris: Paris: Benoit Ainé. [ca. 1860?]. Solo part of the composer's 29th and final violin concerto. Edition by L. Massart. Unbound upright folio. Engraved. 16 pp. [PN] A.C. 597. Scattered markings in pencil. Outer bifolium (with title) partly detached; some edges frayed, else in very good condition.
The plate number and the name of the editor indicate that Benoît Ainé took over this edition from A. Cotelle, also in Paris, who first published it around 1844. The present issue probably dates from about 1860.
Viotti, an Italian violinist and composer, "was the most influential violinist between Tartini and Paganini and the last great representative of the Italian tradition stemming from Corelli. He is considered the founder of the 'modern' (19th century) French school of violin playing, and his compositions, among the finest examples of Classical violin music, exerted a strong influence on 19th-century violin style." (Grove Online)
The plate number and the name of the editor indicate that Benoît Ainé took over this edition from A. Cotelle, also in Paris, who first published it around 1844. The present issue probably dates from about 1860.
Viotti, an Italian violinist and composer, "was the most influential violinist between Tartini and Paganini and the last great representative of the Italian tradition stemming from Corelli. He is considered the founder of the 'modern' (19th century) French school of violin playing, and his compositions, among the finest examples of Classical violin music, exerted a strong influence on 19th-century violin style." (Grove Online)