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[Civil War] [Sampler]. "Charity: An Ode" - Impressive Civil War Musical Sampler by a 21 year old Woman. A remarkable and highly unusual large musical sampler, recording a detailed musical score across two open "pages", with five systems of a presumed vocal line over keyboard, each consisting of approximately 11 measures and the final of which identified as the "Chorus." 25 x 35.5 inches (63.5 x 89 cm) framed, 16.5 x 24 inches (42 x 61 cm) without. Titled at the head Charity: An Ode and identified as By J. Sampson and dated 1842, a year which may have coincided with a date near the birth of the identified maker of the present sampler, Elizabeth Langham, who has signed the embroidery at the foot "Aged 21" in "1863". One area of staining, unexamined out of frame, likely backed in some way, but in otherwise apparently fine condition.  We have been unable to trace any examples of a sampler of this kind. 

Samplers are among the most ubiquitous of 19th century folk art genres. Indeed, it seems like nearly every young girl and woman must have created one or more of these highly personal artworks. Usually, they include religious or family content, but samplers and embroidery featuring musical themes are highly uncommon and the present example showcases exceptional craftsmanship and a unique attention to musical notational detail. Indeed, while many samplers were clearly attempted by younger girls, the signing of this work with Langham's age, attests to the fact that a younger person would likely not have attempted such intricate work. We could not find a published Ode by Sampson, or identify Elizabeth Langham, though by provenance she may have been from New York.

The 2/4 time signature indicates this may have been a hymn designed to energize a congregation rather than a more solemn or liturgical piece. The concept of charity was a significant theme in religious hymns during the period of the American Civil War and were sung by both Union and Confederate soldiers and civilians, emphasizing themes of unity, hope, and compassion amidst the devastation of war. Charity as a theme would align well with the moral and ethical questions posed by the conflict—questions about slavery, human rights, and the nature of community and nationhood. The songs would offer moral guidance, advocating for kindness, compassion, and charity as virtuous behavior in the face of enormous societal upheaval. 

[Civil War] [Sampler] "Charity: An Ode" - Impressive Civil War Musical Sampler by a 21 year old Woman

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[Civil War] [Sampler]. "Charity: An Ode" - Impressive Civil War Musical Sampler by a 21 year old Woman. A remarkable and highly unusual large musical sampler, recording a detailed musical score across two open "pages", with five systems of a presumed vocal line over keyboard, each consisting of approximately 11 measures and the final of which identified as the "Chorus." 25 x 35.5 inches (63.5 x 89 cm) framed, 16.5 x 24 inches (42 x 61 cm) without. Titled at the head Charity: An Ode and identified as By J. Sampson and dated 1842, a year which may have coincided with a date near the birth of the identified maker of the present sampler, Elizabeth Langham, who has signed the embroidery at the foot "Aged 21" in "1863". One area of staining, unexamined out of frame, likely backed in some way, but in otherwise apparently fine condition.  We have been unable to trace any examples of a sampler of this kind. 

Samplers are among the most ubiquitous of 19th century folk art genres. Indeed, it seems like nearly every young girl and woman must have created one or more of these highly personal artworks. Usually, they include religious or family content, but samplers and embroidery featuring musical themes are highly uncommon and the present example showcases exceptional craftsmanship and a unique attention to musical notational detail. Indeed, while many samplers were clearly attempted by younger girls, the signing of this work with Langham's age, attests to the fact that a younger person would likely not have attempted such intricate work. We could not find a published Ode by Sampson, or identify Elizabeth Langham, though by provenance she may have been from New York.

The 2/4 time signature indicates this may have been a hymn designed to energize a congregation rather than a more solemn or liturgical piece. The concept of charity was a significant theme in religious hymns during the period of the American Civil War and were sung by both Union and Confederate soldiers and civilians, emphasizing themes of unity, hope, and compassion amidst the devastation of war. Charity as a theme would align well with the moral and ethical questions posed by the conflict—questions about slavery, human rights, and the nature of community and nationhood. The songs would offer moral guidance, advocating for kindness, compassion, and charity as virtuous behavior in the face of enormous societal upheaval.