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Coleridge-Taylor, Samuel. (1875–1912). Autograph Letter Signed regarding the Cello Variations.

Uncommon autograph Letter Signed to Mrs. Colwell, on letterhead of the String-Players' Club. 2 pages on one sheet; folds, minimal foxing. The letter, penned in his exceedingly difficult to decipher hand, reads in part: "I am sending the cello part of my Variations by same post. The publishers want the piano part for a few days, so I cannot send that at the same time." Hill Crest, Norbury [London], 15 December [no year, ca. 1905]. 9 x 7 inches (22.8 x 17.8 cm). 

Coleridge-Taylor conducted local musicians in the String Players’ Club, mounting three concerts every year, generally at the Public Halls in George Street (since demolished).  The Variations in B minor for Cello and Piano, though composed in 1905, were in fact not published until after the composer's death, having been lost until 1918. 

During his short life, Coleridge-Taylor enjoyed considerable success, especially in his native country.  His cantata Hiawatha's Wedding Feast (1898) was especially popular, and he held prominent positions, including Professor of Composition at the Guildhall School of Music and the Trinity College of Music.  "Coleridge-Taylor saw it as his mission in life to help establish the dignity of African Americans.  He was greatly influenced by the poet P.L. Dunbar (some of whose poems he set to music), the Fisk Jubilee Singers, W.E.B. Du Bois, Frederick Douglass, and Booker T. Washington, among others.  After meeting Dunbar in 1897, his awareness of his heritage grew rapidly, leading to such works as African Romances (1897), the operatic romance Dream Lovers (1898), African Suite for the Pianoforte (1898) and Toussaint l’Ouverture (1901), a musical illustration of the 18th-century slave who led the liberation of Haiti."  Stephen Banfield, revised by Jeremy Dibble and Anya Laurence, Grove Music Online

Coleridge-Taylor, Samuel. (1875–1912) Autograph Letter Signed regarding the Cello Variations

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Coleridge-Taylor, Samuel. (1875–1912). Autograph Letter Signed regarding the Cello Variations.

Uncommon autograph Letter Signed to Mrs. Colwell, on letterhead of the String-Players' Club. 2 pages on one sheet; folds, minimal foxing. The letter, penned in his exceedingly difficult to decipher hand, reads in part: "I am sending the cello part of my Variations by same post. The publishers want the piano part for a few days, so I cannot send that at the same time." Hill Crest, Norbury [London], 15 December [no year, ca. 1905]. 9 x 7 inches (22.8 x 17.8 cm). 

Coleridge-Taylor conducted local musicians in the String Players’ Club, mounting three concerts every year, generally at the Public Halls in George Street (since demolished).  The Variations in B minor for Cello and Piano, though composed in 1905, were in fact not published until after the composer's death, having been lost until 1918. 

During his short life, Coleridge-Taylor enjoyed considerable success, especially in his native country.  His cantata Hiawatha's Wedding Feast (1898) was especially popular, and he held prominent positions, including Professor of Composition at the Guildhall School of Music and the Trinity College of Music.  "Coleridge-Taylor saw it as his mission in life to help establish the dignity of African Americans.  He was greatly influenced by the poet P.L. Dunbar (some of whose poems he set to music), the Fisk Jubilee Singers, W.E.B. Du Bois, Frederick Douglass, and Booker T. Washington, among others.  After meeting Dunbar in 1897, his awareness of his heritage grew rapidly, leading to such works as African Romances (1897), the operatic romance Dream Lovers (1898), African Suite for the Pianoforte (1898) and Toussaint l’Ouverture (1901), a musical illustration of the 18th-century slave who led the liberation of Haiti."  Stephen Banfield, revised by Jeremy Dibble and Anya Laurence, Grove Music Online