Mozart, Wolfgang Amadeus. (1756–1791). Die Zauberflöte grand opera arrangé pour deux flutes, ou, deux violons par l'autheur. [KV 620]. Berlin: J.J. Hummel. [1793]. First edition. Parts: 11,11 pp. Upright folio. Engraved throughout. [PN] 828. Flauto/Violino Primo title page repaired at spine, in very good condition overall. Flauto/Violino Secondo supplied in facsimile on fine hand-made paper. Housed in a custom clamshell box, green cloth, lined with marble paper. RISM M 5021. Not in Hirsch. OCLC records only three (2 complete) copies worldwide and none in the United States.
A rare early edition of 17 selections from the opera as arranged for two flutes or two violins, not by the composer as the title suggests. An unadulterated edition of the score did not appear until that of Simrock, more than twenty years later, in 1814.
A rare early edition of 17 selections from the opera as arranged for two flutes or two violins, not by the composer as the title suggests. An unadulterated edition of the score did not appear until that of Simrock, more than twenty years later, in 1814.
Mozart, Wolfgang Amadeus. (1756–1791). Die Zauberflöte grand opera arrangé pour deux flutes, ou, deux violons par l'autheur. [KV 620]. Berlin: J.J. Hummel. [1793]. First edition. Parts: 11,11 pp. Upright folio. Engraved throughout. [PN] 828. Flauto/Violino Primo title page repaired at spine, in very good condition overall. Flauto/Violino Secondo supplied in facsimile on fine hand-made paper. Housed in a custom clamshell box, green cloth, lined with marble paper. RISM M 5021. Not in Hirsch. OCLC records only three (2 complete) copies worldwide and none in the United States.
A rare early edition of 17 selections from the opera as arranged for two flutes or two violins, not by the composer as the title suggests. An unadulterated edition of the score did not appear until that of Simrock, more than twenty years later, in 1814.
A rare early edition of 17 selections from the opera as arranged for two flutes or two violins, not by the composer as the title suggests. An unadulterated edition of the score did not appear until that of Simrock, more than twenty years later, in 1814.