[Elly Ney Trio] Ney, Elly. (1882-1968). Two Postcard Portraits with Letters to Ney. Unusual caricature postcard and a postcard photograph of the Trio, founded by Ney in 1929 with Max Strub and Ludwig Hoelscher. Both pieces with interesting handwritten letters addressed to Ney in the late 1930's from one of her pupils, Hella Bents. Both in fine condition. Photograph postcard 3.75 x 5.75 inches (9.5 x 14.6 cm.); photograph of caricature by Max Lange 5.8 x 3.8 inches (14.7 x 9.7 cm.).
Elly Ney was one of the 20th century's outstanding pianists. Of her great performing, Willhelm Kempff wrote: "My ears still hear her melodious voice, with its unmistakable hint of her Rhineland origins, which had the gift of establishing immediate contact with everyone she spoke to. This happened even more intensely when she stepped onto the concert platform. Just one mysterious chord (Beethoven's D minor sonata, for instance), and the listener was drawn into her magnetic field. What then ensued cannot and should not be described in words, nor should it be scientifically dissected. Those who had ears, heard for themselves. But that was by no means the end of the matter. A realisation continued to resonate in her listeners' hearts, as it had begun to resonate from the moment this greatest of performers stepped onto the platform - the realisation that artistry of this quality draws its strength from roots that have their being in the unfathomable depths of the human soul."
Elly Ney was one of the 20th century's outstanding pianists. Of her great performing, Willhelm Kempff wrote: "My ears still hear her melodious voice, with its unmistakable hint of her Rhineland origins, which had the gift of establishing immediate contact with everyone she spoke to. This happened even more intensely when she stepped onto the concert platform. Just one mysterious chord (Beethoven's D minor sonata, for instance), and the listener was drawn into her magnetic field. What then ensued cannot and should not be described in words, nor should it be scientifically dissected. Those who had ears, heard for themselves. But that was by no means the end of the matter. A realisation continued to resonate in her listeners' hearts, as it had begun to resonate from the moment this greatest of performers stepped onto the platform - the realisation that artistry of this quality draws its strength from roots that have their being in the unfathomable depths of the human soul."
[Elly Ney Trio] Ney, Elly. (1882-1968). Two Postcard Portraits with Letters to Ney. Unusual caricature postcard and a postcard photograph of the Trio, founded by Ney in 1929 with Max Strub and Ludwig Hoelscher. Both pieces with interesting handwritten letters addressed to Ney in the late 1930's from one of her pupils, Hella Bents. Both in fine condition. Photograph postcard 3.75 x 5.75 inches (9.5 x 14.6 cm.); photograph of caricature by Max Lange 5.8 x 3.8 inches (14.7 x 9.7 cm.).
Elly Ney was one of the 20th century's outstanding pianists. Of her great performing, Willhelm Kempff wrote: "My ears still hear her melodious voice, with its unmistakable hint of her Rhineland origins, which had the gift of establishing immediate contact with everyone she spoke to. This happened even more intensely when she stepped onto the concert platform. Just one mysterious chord (Beethoven's D minor sonata, for instance), and the listener was drawn into her magnetic field. What then ensued cannot and should not be described in words, nor should it be scientifically dissected. Those who had ears, heard for themselves. But that was by no means the end of the matter. A realisation continued to resonate in her listeners' hearts, as it had begun to resonate from the moment this greatest of performers stepped onto the platform - the realisation that artistry of this quality draws its strength from roots that have their being in the unfathomable depths of the human soul."
Elly Ney was one of the 20th century's outstanding pianists. Of her great performing, Willhelm Kempff wrote: "My ears still hear her melodious voice, with its unmistakable hint of her Rhineland origins, which had the gift of establishing immediate contact with everyone she spoke to. This happened even more intensely when she stepped onto the concert platform. Just one mysterious chord (Beethoven's D minor sonata, for instance), and the listener was drawn into her magnetic field. What then ensued cannot and should not be described in words, nor should it be scientifically dissected. Those who had ears, heard for themselves. But that was by no means the end of the matter. A realisation continued to resonate in her listeners' hearts, as it had begun to resonate from the moment this greatest of performers stepped onto the platform - the realisation that artistry of this quality draws its strength from roots that have their being in the unfathomable depths of the human soul."