Burns, Robert. (1759-1796). Auld lang syne. Boston: C. Bradlee, Washington St. . 1834. 1 pp, 33 cm. For voice and piano. Scarce edition, OCLC lists only one copy. Bound together with several additional songs by Woodbury and Larnder. Fine.
One of the most popular songs of all time, originally by Robert Burns (1759-96) and now often sung at the stroke of midnight on New Year's Day. The tune to which it is sung is a Scottish folk melody and "the exact extent of Robert Burns's responsibility for the words and/or music has always been a point of controversy." (Fuld, 115)
One of the most popular songs of all time, originally by Robert Burns (1759-96) and now often sung at the stroke of midnight on New Year's Day. The tune to which it is sung is a Scottish folk melody and "the exact extent of Robert Burns's responsibility for the words and/or music has always been a point of controversy." (Fuld, 115)
Burns, Robert. (1759-1796). Auld lang syne. Boston: C. Bradlee, Washington St. . 1834. 1 pp, 33 cm. For voice and piano. Scarce edition, OCLC lists only one copy. Bound together with several additional songs by Woodbury and Larnder. Fine.
One of the most popular songs of all time, originally by Robert Burns (1759-96) and now often sung at the stroke of midnight on New Year's Day. The tune to which it is sung is a Scottish folk melody and "the exact extent of Robert Burns's responsibility for the words and/or music has always been a point of controversy." (Fuld, 115)
One of the most popular songs of all time, originally by Robert Burns (1759-96) and now often sung at the stroke of midnight on New Year's Day. The tune to which it is sung is a Scottish folk melody and "the exact extent of Robert Burns's responsibility for the words and/or music has always been a point of controversy." (Fuld, 115)