Viardot, Pauline. (1821-1910). Autograph Letter. A kind autograph letter from the great singer, graciously declining an inviitation to attend "the private theatricals," noting that "professional occupations prevent me from having that pleasure." On her personal letterhead, addressed "Dear Miss Simpson." 1 page. 30 Devonshire Place, Portland Place. January 7, 1871. Signed in full, "Pauline Viardot." In fine condition with the usual folds, some scattered stains and corner tears and mounting traces.
Pauline Viardot, one of the most important singers of the 19th century, was the dedicatee of Brahms’ Alto Rhapdody and Saint-Saens wrote that it was her voice he had in mind when composing the role of Dalila. Viardot created Meyerbeer's "Le Prophete" (Fides), Orphee in the Berlioz version of Gluck's "Orphee et Euridice," Gounod's "Sapho," and Massenet's "Marie Magdalene" among others.
Pauline Viardot, one of the most important singers of the 19th century, was the dedicatee of Brahms’ Alto Rhapdody and Saint-Saens wrote that it was her voice he had in mind when composing the role of Dalila. Viardot created Meyerbeer's "Le Prophete" (Fides), Orphee in the Berlioz version of Gluck's "Orphee et Euridice," Gounod's "Sapho," and Massenet's "Marie Magdalene" among others.
Viardot, Pauline. (1821-1910). Autograph Letter. A kind autograph letter from the great singer, graciously declining an inviitation to attend "the private theatricals," noting that "professional occupations prevent me from having that pleasure." On her personal letterhead, addressed "Dear Miss Simpson." 1 page. 30 Devonshire Place, Portland Place. January 7, 1871. Signed in full, "Pauline Viardot." In fine condition with the usual folds, some scattered stains and corner tears and mounting traces.
Pauline Viardot, one of the most important singers of the 19th century, was the dedicatee of Brahms’ Alto Rhapdody and Saint-Saens wrote that it was her voice he had in mind when composing the role of Dalila. Viardot created Meyerbeer's "Le Prophete" (Fides), Orphee in the Berlioz version of Gluck's "Orphee et Euridice," Gounod's "Sapho," and Massenet's "Marie Magdalene" among others.
Pauline Viardot, one of the most important singers of the 19th century, was the dedicatee of Brahms’ Alto Rhapdody and Saint-Saens wrote that it was her voice he had in mind when composing the role of Dalila. Viardot created Meyerbeer's "Le Prophete" (Fides), Orphee in the Berlioz version of Gluck's "Orphee et Euridice," Gounod's "Sapho," and Massenet's "Marie Magdalene" among others.