Falla, Manuel de. (1876-1946). "Spes Vitae" - Autograph Musical Quotation. Visually striking AMQS from the influential Spanish composer, penned on an attractive colour postcard reproduction of a painting entitled 'Baiser matinal,' apparently an allegory of music by Goya. To a clear area of the image, the composer has neatly penned two bars of music which he identifies as being from Spes Vitae. Signed, inscribed and dated 1940 by De Falla immediately beneath the quotation. Very fine. 13.5 x 8.5 cm. Barely perceptible vertical crease through right center, otherwise fine.
A piano piece written in honour of French Composer Paul Dukas, Spes Vitae formed part of De Falla´s orchestral work entitled Homenajes (1938-39). The present quotation is dated in the same year that De Falla left Spain to reside in Argentina.
A piano piece written in honour of French Composer Paul Dukas, Spes Vitae formed part of De Falla´s orchestral work entitled Homenajes (1938-39). The present quotation is dated in the same year that De Falla left Spain to reside in Argentina.
Falla, Manuel de. (1876-1946). "Spes Vitae" - Autograph Musical Quotation. Visually striking AMQS from the influential Spanish composer, penned on an attractive colour postcard reproduction of a painting entitled 'Baiser matinal,' apparently an allegory of music by Goya. To a clear area of the image, the composer has neatly penned two bars of music which he identifies as being from Spes Vitae. Signed, inscribed and dated 1940 by De Falla immediately beneath the quotation. Very fine. 13.5 x 8.5 cm. Barely perceptible vertical crease through right center, otherwise fine.
A piano piece written in honour of French Composer Paul Dukas, Spes Vitae formed part of De Falla´s orchestral work entitled Homenajes (1938-39). The present quotation is dated in the same year that De Falla left Spain to reside in Argentina.
A piano piece written in honour of French Composer Paul Dukas, Spes Vitae formed part of De Falla´s orchestral work entitled Homenajes (1938-39). The present quotation is dated in the same year that De Falla left Spain to reside in Argentina.