![Kreisler, Fritz. (1875–1962) [Spohr, Louis. (1784–1859)] Spohr "Dramatic Concerto - Autograph Musical Quotation](http://www.schubertiademusic.com/cdn/shop/files/Kreisler_2C_Fritz_AMQS_of_Spohr_9442.jpg?v=1722187709)
Kreisler, Fritz. (1875–1962) [Spohr, Louis. (1784–1859)]. Spohr "Dramatic Concerto - Autograph Musical Quotation. Unusual AMQS from the beloved American violinist and composer of Austrian birth who was one of the most important musicians of the last century. Boldly accomplished in pencil, Kreisler has written two measures from Spohr's Concerto in A minor (the "Dramatic"), inscribed, signed and dated Boston, 15/2, 1902. 6.5 x 8 inches. Tape remnants along the left edge, one slightly touching the start of the inscription and otherwise fine.
A 1904 "The Strad" review of a performance by Kreisler of this work, notes that "the tone he produces is...of a luscious kind, and one could imagine the days of the great Italian singers whose art Spohr had in mind when he wrote this piece in the style of the 'Scena Cantante.'"
A 1904 "The Strad" review of a performance by Kreisler of this work, notes that "the tone he produces is...of a luscious kind, and one could imagine the days of the great Italian singers whose art Spohr had in mind when he wrote this piece in the style of the 'Scena Cantante.'"
Kreisler, Fritz. (1875–1962) [Spohr, Louis. (1784–1859)]. Spohr "Dramatic Concerto - Autograph Musical Quotation. Unusual AMQS from the beloved American violinist and composer of Austrian birth who was one of the most important musicians of the last century. Boldly accomplished in pencil, Kreisler has written two measures from Spohr's Concerto in A minor (the "Dramatic"), inscribed, signed and dated Boston, 15/2, 1902. 6.5 x 8 inches. Tape remnants along the left edge, one slightly touching the start of the inscription and otherwise fine.
A 1904 "The Strad" review of a performance by Kreisler of this work, notes that "the tone he produces is...of a luscious kind, and one could imagine the days of the great Italian singers whose art Spohr had in mind when he wrote this piece in the style of the 'Scena Cantante.'"
A 1904 "The Strad" review of a performance by Kreisler of this work, notes that "the tone he produces is...of a luscious kind, and one could imagine the days of the great Italian singers whose art Spohr had in mind when he wrote this piece in the style of the 'Scena Cantante.'"