[Literature & Art] Holzer, Jenny. (b. 1950). Signed Wooden Card. Wooden card printed in red with one of the American conceptual artist's 'Truisms': "MURDER HAS ITS SEXUAL SIDE," signed lower right by Holzer and in fine condition.
Holzer's first public works, Truisms (1977–9), appeared in the form of anonymous broadsheets that she printed in black italic script on white paper and wheat-pasted to buildings, walls and fences in and around Manhattan. These one-liners are a distillation of an erudite reading list from the Whitney Independent Study Program, where Holzer was a student.
Holzer's first public works, Truisms (1977–9), appeared in the form of anonymous broadsheets that she printed in black italic script on white paper and wheat-pasted to buildings, walls and fences in and around Manhattan. These one-liners are a distillation of an erudite reading list from the Whitney Independent Study Program, where Holzer was a student.
[Literature & Art] Holzer, Jenny. (b. 1950). Signed Wooden Card. Wooden card printed in red with one of the American conceptual artist's 'Truisms': "MURDER HAS ITS SEXUAL SIDE," signed lower right by Holzer and in fine condition.
Holzer's first public works, Truisms (1977–9), appeared in the form of anonymous broadsheets that she printed in black italic script on white paper and wheat-pasted to buildings, walls and fences in and around Manhattan. These one-liners are a distillation of an erudite reading list from the Whitney Independent Study Program, where Holzer was a student.
Holzer's first public works, Truisms (1977–9), appeared in the form of anonymous broadsheets that she printed in black italic script on white paper and wheat-pasted to buildings, walls and fences in and around Manhattan. These one-liners are a distillation of an erudite reading list from the Whitney Independent Study Program, where Holzer was a student.